Riquet with the Tuft

(This month I am reposting relevant blogs in preparation for the release of my upcoming short story collection - every blog shared is about a fairy tale that inspired one of the stories.)

So first off, a quick overview of French fairy tales. There were a whole bunch of really cool ladies writing really cool stories. The Salon Writers. And one guy, who wrote a few cool stories but occasionally just straight up ripped off their stories. So, of course, a couple hundred years later everyone knows the dude, and all the ladies and all their cool stories have been pretty much forgotten. (Except Beauty and the Beast. Go Beauty and the Beast.)

The reason for that little overview is that today we're going to talk about one of those stories the dude ripped off. It's called Riquet with the Tuft, and there are two wildly different versions. The first is by the lady, Catherine Bernard, and the second is by the dude, Charles Perrault.

Honestly, I prefer Perrault's version. But, like, I sort of feel bad about it? They have the same title, but they're basically completely different stories. And I read his first. And it's not that I actually like it, really, so much as that I feel it has potential? Which honestly is the case with a lot of my favorite fairy tales.

Anyway. We're gonna start with Perrault's version. And depending on how long that takes we might have a part two for Bernard's.

A prince is born. His name is Riquet, and they call him Riquet with the Tuft because he has one little tuft of hair. He's super ugly, but his fairy godmother says that he's going to be super smart, and gives him the ability to grant an equal amount of smartness to one other person in his life.

A princess is born in another kingdom. She's super pretty, but her fairy godmother says she's going to be super dumb. She gets the ability to make one other person in her life as hot as she is.

A second princess is born - the first princess' younger sister. And she also grows up smart and ugly, but not as smart or as ugly as Riquet. Don't know what the fairy godmother gave her. This story's not really about her.

Riquet does pretty well for himself, except for one thing. He's so ugly, no one wants to marry him.

Our first princess, on the other hand - she's struggling. She's so stupid that it doesn't even matter how pretty she is. Her younger sister is much better liked despite being really ugly, because at least she has a brain. Our princess is too stupid not to drop fine china on the floor. She's too stupid not to spill a glass of water all down her front. She's too stupid to remember her suitors' names. She's too stupid to maintain a simple conversation about the weather. It's...not great. She's just smart enough to be aware that she's astoundingly stupid.

Eventually she ands Riquet meet. Riquet has seen her portrait and fallen madly in love with her, which, like, shouldn't he maybe be smart enough not to randomly fall head over heels for total strangers just because they're hot?

Whatever. They meet. Princess is sad because no one likes her because she's stupid. Riquet offers her his fairy gift - offers to make her as smart as him. In exchange they'll get married, in one year.

So princess goes home, newly intelligent. Her poor little sister suffers for this; she isn't the hot one or the smart one now, and no one pays her any attention. Our girl's new smarts have changed her so much that she barely remembers her life before. She has dozens of suitors, one of whom she's particularly fond of, and seriously considering marrying. She's not totally sure, though, so she goes out into the woods to think about it. The same woods where she first met Riquet, a year ago now, which by this point she's almost totally forgotten about.

Riquet's excited that she's gotten there right on time for their wedding. At which point she has to tell him that she hasn't; she forgot all about that and it's just a coincidence that she's here today. And she's not sure about marrying him after all, because she was still stupid when she agreed to that - so stupid she didn't even realize how ugly he was. And surely he's smart enough to realize that he's far too ugly to marry, right?

(I'm totally not loving how her new brains for some reason made her shallow? Like, how is it smart to be judging people by their appearances? She and Riquet have both done it now.) 

Riquet asks if she has any concerns other than his physical appearance, and she says no, she thinks he's a great guy overall. So he reminds her of her ability to share beauty, she makes him hot, and they live happily ever after.

The part of the story that's always really stood out to me, despite the fact that it doesn't really fit in with the overall tone, is the little section right after they get married, where Perrault basically says that maybe she didn't actually make him hot, maybe it was just her love for him that made him seem hot to her. Which is a really sweet thought. It just doesn't make a ton of sense with the general shallowness displayed earlier in the story.

Since this is Perrault, we end the story with a moral. Two morals, in this case. First: What we love is always fair. Second: Love comes from unseen things, not just brains and beauty. These are actually both better than his usual morals, but, like, I'm still annoyed by the existence of the morals at all. Just seems, I don't know, self righteous or something. And again, not really consistent with the bulk of the story.

(Order The Shoemaker Prince to read a story inspired by this fairy tale, and 13 more!) 

Story and Memory

Let’s talk today about fairy tales and their softening over time. 

Now, I mean this, not in the sense that in the Grimm brothers and Perrault people are getting raped and having their limbs chopped off, and in Disney they’re not, but on a more personal level. Maybe a better way to put it is, let’s talk about story and memory.

Human memory is flawed. We frequently remember things as better, or worse, or simply different from how they really were. For fairy tales, I default to remembering them as better. I think it’s because, despite all the research I’ve done and everything I’ve learned about fairy tales over the last 15 years or so, some subconscious part of me still thinks fairy tale=good, sweet, happy.

So the other day I was reading King Thrushbeard. And, like, I’ve always known that King Thrushbeard was, let’s say...questionable. But I’ve also always been a sucker for anything involving secret identities - superheroes, Beasts, The Princess Bride, the Scarlet Pimpernel.

I’m not going to get into the details of King Thrushbeard here, because I just did that over here, which was my whole reason for reading it in the first place. Anyway, I knew it had some not great aspects, but on my reread, this little section here absolutely blew me away with how bad it was.

Kindly. He said it *kindly*. Like, F you, dude.

I’ve experienced this kind of in-memory softening of a fairy tale before, the first time I reread Perrault’s version of Riquet of the Tuft after many years. And again, you can read what I’ve said about this story here. But basically, I remembered it as this beautiful story about beauty being in the eye of the beholder, because I had very clearly remembered this line:

But what I hadn’t remembered was this line:

Where, for some context, the princess is saying “I agreed to marry you, an ugly man, when I was a total idiot. Surely, now that I am no longer a total idiot, you cannot expect me to keep such a promise.” ie, marrying an ugly man is something only a total idiot would do. She only agrees to marry him when he tells her that she has the power to make him hot. Which I feel just really undercuts the meaning of the line I remembered above; in context it seems as worthless as the morals Perrault likes to include at the ends of his stories, which often have nothing to do with the stories themselves. (Either that or they’re outright stupid - often both).

So. All this to say, I don’t think I’ll be reading my kids (if I ever have kids) a lot of fairy tales. I think I’ll be telling them, as I remember them, because I trust my own memory to produce a nicer story that Perrault or the Grimms can. Which, I suppose, is why oral tradition is so important. A fundamental part of folk tales is making them your own.

Riquet with the Tuft, Catherine Bernard’s Version

So this story opens with a really pretty, really ugly princess being born, much like Perrault’s. Now I said in the last Riquet post that Perrault ripped off this version, but we’re not actually totally sure which story was first. Anyway. Our princess here is named Mama. She’s too stupid to even realize she’s stupid, until she meets a super ugly dude named Riquet, who informs her of the problem, and then says he can fix it if she agrees to marry him at the end of a year. (Too stupid to know she’s stupid, btw, makes her more stupid than the Perrault version, who was just smart enough to realize she was stupid.)

She agrees. A year passes, she becomes smarter and smarter, and she falls in love with another man, named Arada. And then the time comes for her to marry Riquet, who in this version is the king of the gnomes. 

Mama doesn’t want to marry him anymore, and he says that’s fine, she doesn’t have to, but she can’t keep on being smart unless she does. Mama figures she’ll lose her boyfriend Arada either way—obviously if she marries someone else, but he wouldn’t like her anymore if she was stupid again, so she still couldn’t be with him if she rejected Riquet.

She elects to lose her boyfriend and keep her mind by marrying Riquet. But he’s ugly, and all the other gnomes are ugly, and she hates everything about being with him.  She sends out a message to Arada, letting him know what’s happened, and he comes to join her in gnome land.

For a while Mama and Arada are happy sneaking around together, but eventually Riquet catches them. Now, he doesn’t want his wife cheating on him, but he also doesn’t want a stupid wife, so his main method of managing the situation is gone. He decides to take away her intelligence during the day, so she’s only smart when they’re together at night.

She retaliates by drugging him every night, and hanging with Arada while she’s smart and Riquet’s sleeping. But of course, they get caught again.

This time, Riquet puts a spell on Arada, so that he looks just like Riquet. Mama gets to keep her brains, but instead of a hot boyfriend and an ugly husband, she has two identically ugly husbands, and everyone is miserable forever.

Which is probably why I prefer Perrault—not a big fan of unhappy endings.

Riquet with the Tuft, Perrault's Version

 So first off, a quick overview of French fairy tales. There were a whole bunch of really cool ladies writing really cool stories. The Salon Writers. And one guy, who wrote a few cool stories but occasionally just straight up ripped off their stories. So, of course, a couple hundred years later everyone knows the dude, and all the ladies and all their cool stories have been pretty much forgotten. (Except Beauty and the Beast. Go Beauty and the Beast.)

The reason for that little overview is that today we're going to talk about one of those stories the dude ripped off. It's called Riquet with the Tuft, and there are two wildly different versions. The first is by the lady, Catherine Bernard, and the second is by the dude, Charles Perrault.

Honestly, I prefer Perrault's version. But, like, I sort of feel bad about it? They have the same title, but they're basically completely different stories. And I read his first. And it's not that I actually like it, really, so much as that I feel it has potential? Which honestly is the case with a lot of my favorite fairy tales.

Anyway. We're gonna start with Perrault's version. And depending on how long that takes we might have a part two for Bernard's.

A prince is born. His name is Riquet, and they call him Riquet with the Tuft because he has one little tuft of hair. He's super ugly, but his fairy godmother says that he's going to be super smart, and gives him the ability to grant an equal amount of smartness to one other person in his life.

A princess is born in another kingdom. She's super pretty, but her fairy godmother says she's going to be super dumb. She gets the ability to make one other person in her life as hot as she is. 

A second princess is born - the first princess' younger sister. And she also grows up smart and ugly, but not as smart or as ugly as Riquet. Don't know what the fairy godmother gave her. This story's not really about her.

Riquet does pretty well for himself, except for one thing. He's so ugly, no one wants to marry him.

Our first princess, on the other hand - she's struggling. She's so stupid that it doesn't even matter how pretty she is. Her younger sister is much better liked despite being really ugly, because at least she has a brain. Our princess is too stupid not to drop fine china on the floor. She's too stupid not to spill a glass of water all down her front. She's too stupid to remember her suitors' names. She's too stupid to maintain a simple conversation about the weather. It's...not great. She's just smart enough to be aware that she's astoundingly stupid.

Eventually she ands Riquet meet. Riquet has seen her portrait and fallen madly in love with her, which, like, shouldn't he maybe be smart enough not to randomly fall head over heels for total strangers just because they're hot?

Whatever. They meet. Princess is sad because no one likes her because she's stupid. Riquet offers her his fairy gift - offers to make her as smart as him. In exchange they'll get married, in one year.

So princess goes home, newly intelligent. Her poor little sister suffers for this; she isn't the hot one or the smart one now, and no one pays her any attention. Our girl's new smarts have changed her so much that she barely remembers her life before. She has dozens of suitors, one of whom she's particularly fond of, and seriously considering marrying. She's not totally sure, though, so she goes out into the woods to think about it. The same woods where she first met Riquet, a year ago now, which by this point she's almost totally forgotten about.

Riquet's excited that she's gotten there right on time for their wedding. At which point she has to tell him that she hasn't; she forgot all about that and it's just a coincidence that she's here today. And she's not sure about marrying him after all, because she was still stupid when she agreed to that - so stupid she didn't even realize how ugly he was. And surely he's smart enough to realize that he's far too ugly to marry, right?

(I'm totally not loving how her new brains for some reason made her shallow? Like, how is it smart to be judging people by their appearances? She and Riquet have both done it now.)

Riquet asks if she has any concerns other than his physical appearance, and she says no, she thinks he's a great guy overall. So he reminds her of her ability to share beauty, she makes him hot, and they live happily ever after.

The part of the story that's always really stood out to me, despite the fact that it doesn't really fit in with the overall tone, is the little section right after they get married, where Perrault basically says that maybe she didn't actually make him hot, maybe it was just her love for him that made him seem hot to her. Which is a really sweet thought. It just doesn't make a ton of sense with the general shallowness displayed earlier in the story.

Since this is Perrault, we end the story with a moral. Two morals, in this case. First: What we love is always fair. Second: Love comes from unseen things, not just brains and beauty. These are actually both better than his usual morals, but, like, I'm still annoyed by the existence of the morals at all. Just seems, I don't know, self righteous or something. And again, not really consistent with the bulk of the story.

This is pretty long, so I think we'll wait until next time to go over the second version; see you then!