Showing posts with label to be loved. Show all posts
Showing posts with label to be loved. Show all posts

Tuesday, March 3, 2026

To Be Loved: Author's Note

 

Everyone knows the story of Beauty and the Beast, more or less. But the original novel, by Gabrielle-Suzanne Barbot de Villeneuve, has been all but forgotten. This was published in 1740, long before copyright law as we know it existed. Sixteen years later, Jeanne-Marie Leprince de Beaumont published a tidied-up and much-abridged version which quickly surpassed the original in popularity, and was the definitive version of Beauty and the Beast for some two hundred years. 

In the mid twentieth century, something changed. It's hard to say exactly how this happened; my best guess, after hours of research, is that it began with the Beauty and the Beast episode of Shirley Temple's Storybook Theater in 1958. As that episode is lost media, we can't be certain, but the tie-in picture book supports this theory.

Regardless of the reason, for the last seventy five years or so, children have grown up with a Beast who earned his curse. A Beast who had it coming. A Beast who was selfish, cruel, lazy, bad-tempered, and generally transformed so that his outsides would match his insides.

That is a very new addition to a very old story.

Villeneuve didn't write her novel in a vacuum. It was inspired by existing stories. We can track this tale type—the Enchanted Bridegroom—all across the world, and all throughout history. A rightfully-punished Beast is new not just to Beauty and the Beast, but to the wider Enchanted Bridegroom category to which it belongs. This element, which has become so vital to our general, cultural understanding of the story, simply didn't exist even a hundred years ago.

So today, I want to introduce you to a different kind of Beast, modelled off of Villeneuve's original. A Beast being punished not for being a bad person, but for turning down the sexual advances of the woman who raised him. An innocent victim of a terrible, vindictive curse. A young man who had every fundamental element of himself stripped away, who was separated from his family and left in isolation, all for the horrible crime of daring to say no.

Beauty and the Beast has been my favorite story for thirty years. And when we talk about Beauty and the Beast, it's important to me that you know exactly what we're talking about. Beauty and the Beast, for me, isn’t about redemption; it's about recovery. 

Every time I talk about Beauty and the Beast, I’m saying: “I am broken and afraid. Will you love me anyway?” When I think about the Beast, frightened and sad and alone, no longer human, I think about how, when my depression was at its peak, I didn't feel like a person at all. I think about sitting under my bed writing poetry, half convinced that I was a robot or a changeling or an alien, because I couldn't possibly be human, could I? Humanity didn't feel like this, did it? 

It wasn't about how I looked; it was about how I hurt.

So this isn't the story of Beauty's love making the Beast a better person. This is the story of Beauty's love allowing the Beast to be a person at all, of helping someone who has been hurt and lost for a very long time to find his way home.

 

Order my Beauty and the Beast retelling, To Be Loved, from waxheartpress.com!

Wednesday, February 25, 2026

Trauma and the Inciting Incident in BATB and TBL

 

When I'm writing retellings, I generally end up sticking pretty close to the source material. I'll make a few small changes here and there, but the majority of what I'm usually doing is either filling in the gaps, or figuring out what comes next. 

To Be Loved is a little different; I chose to deviate majorly from the inciting incident. A quick recap: Prince turned into Beast for turning down foster mom's advances, Beauty's father steals Beast's flowers, Beast compels Beauty to come live with him to save her father's life, generally Beast proposes to Beauty nightly, eventually he lets her go, and she chooses to come back.

So we've got this whole thing here, with, like, cycles of abuse, with the Beast locking Beauty away and trying to make her love him, which is alarmingly similar to what the fairy tried to do to him, and I have another post in this series about Modelling Healthy Relationships—not sure yet if it'll be posted before or after this—and I very much doubt the Beast is deliberately continuing the cycle, especially since his options are fairly limited due to the terms of the spell. And then additionally there's the thing where Beauty's father basically gave her to him (with her permission), which is something he has the authority to do, so whether this really counts as "locking her away" in the cultural context is debatable. Additionally, there are complications in the form of Meddling Fairies, which basically means that he’s not exactly consensually perpetuating the cycle, and that’s another post that’s coming up.

The point is, since the creepy fairy has been dropped from modern adaptations of the story, we've never really gotten to see a story that addresses the whole cycle of abuse thing. And that's something that I'd like to get into more at some point. But for now, I've chosen to drop that entire section of the story entirely, to make room for another thing that we don't get to see addressed: the trauma.

The Beast had a loved and trusted guardian try to force a marriage, and then turn him into a monster when it didn't work. This is the aspect of the original novel that I've been the most hung up on since I found out about it. That is a whole boatload of trauma, and I'm not sure it makes sense for the Beast—or at least for my version of the Beast—to be actively and desperately seeking out a romantic relationship in the aftermath, especially as there's no time limit for curse breaking in my story or the source material. 

So my Beast doesn't seek out a girl to come live with him, doesn't manufacture a scenario where a girl needs to come live with him, and certainly doesn't propose on a daily basis.

(Another big part of the reason I've dropped the traditional meeting and the proposals, as well as the loving but distant mother and the dream prince—two other things that are covered elsewhere in this blog series—is that I've already done them. Granted, you haven't seen them, but I've done them. Not all the books a writer writes ever see the light of day, especially when she starts writing them at fifteen. Maybe I'll rework that story someday, but it's at the very bottom of my to do list. And it's a very long list.)

 

Preorder your copy of To Be Loved from waxheartpress.com today!

Wednesday, January 28, 2026

Rambling about BATB and TBL

My favorite story to write is always the story I'm currently writing. But my favorite story to read and to watch and to think about is always Beauty and the Beast, which means that this particular story I’ve written will always be a little special.

When I was a toddler I used to watch the Disney movie every day. So I've been obsessed with Beauty and the Beast for about thirty years now. 

At some point in high school I found out that the original novel existed, and after several months of searching was technically able to find it. A PDF scan of the original book in French, printed over 200 years ago. Which meant that not only was it in a language I didn't know, but it was in a slightly older version of a language I didn't know, with a font type that was almost completely unreadable. I spent several months trying and failing to translate.

A couple years later I finally managed to track down an English translation. And it was absolutely worth the wait.

I wrote my first novel length retelling of Beauty and the Beast in high school. It had some elements I remain very proud of. It incorporated a lot of the forgotten elements of the original novel, like the fairy backstories, cultures, and war. It drew a lot on Swiss and French folklore from the Alps, since that was my setting. I had some interesting things going on, and some things I think I handled well. But ultimately it was 60,000 words I wrote over the course of 30 days as a 17 year old, and the majority of it does not seem salvageable. Maybe someday I'll try.

In college I wrote a novella retelling, which I remain pretty happy with, and which you may have encountered if you know my pen name. I also wrote Windows, which may not count as a retelling since it doesn't involve a curse, the breaking of a curse, a romance, or a love interest leaving and coming back, but it's certainly heavily inspired by Beauty and the Beast.

I've planned or started probably half a dozen other BATB retellings, and that's not counting other enchanted bridegroom stories—Lindworm, my planned retelling of East of the Sun West of the Moon, my planned retelling of Snow White and Rose Red, various short stories, etc.

Somehow, no matter where I go, I always land back at Beauty and the Beast.

To Be Loved is exactly the Beauty and the Beast story I wanted to tell, right now. But so were all the others, and I'm sure in the future there'll be more. I always find more things to say, and new ways to say them, when it comes to Beauty and the Beast. I look forward to finding out how the story is going to come out of me the next time. But for now, I'm exceedingly happy with To Be Loved.

I don't want to give a bunch of spoilers (though if you were on Patreon last year you know the majority of the story. But I have added and changed and rearranges several things, too), but I do want to talk a lot about this book that I'm super excited about. So I will try to be careful in my enthusiastic rambling?

I abandoned the complex fairy and family backstories, because they don't have much to do with the main plot and I didn't want to pull my focus from the main plot for a complicated tangent, and because I've already done the complex backstories in my high school novel. I abandoned the complicated relationship with the queen because I wanted to instead have a complicated relationship with a sibling, and because I've already done the queen in my pen name novella.

I abandoned the dream prince because it's complicated and confusing and Mira isn't the sort of person who would fall in love with a dream, or the sort of person who would dream of handsome men loving her, or the sort of person who would even be comfortable with a handsome man loving her. And also because Bram isn't the sort of person who would try to reach out to Mira in a dream to reveal his true self, because he doesn't really think of the handsome prince as his true self.

I abandoned the rose because, as we either have discussed recently or will discuss shortly (I've lost track of where I am on my schedule), the rose is all about getting a young woman on the premises who can break the spell. And—this is the most fundamental part of To Be Loved—Bram doesn't really want the spell to break.

Bram is traumatized and terrified, and the spell may be a curse, but it's also a safety net. As long as he's a monster, not one is going to want him (don't tell Bram about the internet), which means no one is going to try to force themselves on him. And if they do, a Beast can fight back much better than a prince.

To Be Loved is about half basic Beauty and the Beast, and half aftermath, because I love the aftermath of a transformation spell. It's about identity and recovery, and it's just exactly the story I wanted to tell, which feels so good after so many tries at Beauty and the Beast. And I'm so excited for you to read it.

 

Order my Beauty and the Beast retelling, To Be Loved, at waxheartpress.com!

 

 

Tuesday, January 20, 2026

To Be Loved: Chapter 1

 

In the dappled light of the forest, nestled between the roots of her favorite tree, Mira wept.

She had not, these last few days. She had not allowed herself to, not sure how she could explain it to her family, who would surely see. But now her work was done for a moment, and she was alone, in her private hollow in the woods, where no one would search for a quarter hour or more.

A twig snapped.

Mira looked up. Standing before her was a great beast, seven feet tall at least, perhaps ten if one counted the antlers. He had glossy dark fur, and a snout that looked somehow like both a bear’s and a deer’s. Horrifying and majestic, like a forest god of old.

“Hello,” he said.

She stared at him for a moment before recovering her manners; she had not expected him to speak. “Oh! Hello.”

“You’re upset,” he said.

“Um. Yes.” She did not want to explain the situation to a monster in the woods. And given the typical result of encountering monsters in the woods, her current problems were likely over.

Though not, admittedly, in the way she’d have chosen.

“Before—before you eat me, or take me away to serve you forever in fairyland, or whatever it is you’re planning to do, could we—could we have some witnesses, please? I don’t mind what you do to me, as long as someone sees it.”

If she was taken by fairies, or something convincingly like them, the crown would make restitutions to her parents. And fairies could do horrible, horrible things, but at least it wouldn’t—wouldn’t be—

The creature stared at her for what felt like a very long time. She considered and discarded the possibility of running; he was terrifying, but so was Ralph, and the future that awaited her.

“You want to get away,” he said at last, half a question. It sounded like an offer.

“Oh, yes,” Mira said, her need for escape overwhelming fear and reason both. But any escape he offered her could only be a trap. “But I can’t. My family is depending on my marriage. We need the bride price desperately.” Or, failing that, the crown’s restitution.

“And do you want to be married?”

She thought of Ralph, of his bright smile and soft hands. She thought of Ralph three days ago, when he—

“No,” she admitted.

The creature nodded. “What is your bride price? I will pay it double, and take you away, and you needn’t be my bride.”

She studied the monster, his deep black eyes and soft snout, his large paws. He had no reason to help her, and she had no reason to trust him. He couldn’t lie, if he was a fairy, but she thought that he was not—they usually looked lovely and human—and other magical creatures could, as far as she knew, tell as many lies as they liked. He likely wasn’t lying when he said she wouldn’t be his bride, but only because she was more likely to be his dinner or his slave.

She could not stay here. Not like this, not with Ralph. And a fairy restitution would not be nearly as much money as double her bride price.

It was a foolish choice.  But she couldn’t stay here. And his face, for all it was monstrous, looked kind.

“You’ll have to speak with my father,” she said.

He nodded.

“I am Mira. What shall I call you?”

He didn’t answer for a long moment. “I don’t have a name,” he said at last. “You may call me Beast; it is what I am.”

~

The Beast spoke with her father in the doorway; his antlers prevented him from fitting inside. Not, Mira thought, that her father would have been inclined to let him in regardless. He closed the door on him, rudely, to discuss the offer.

“You can’t mean to marry a monster.”

“You can’t mean to turn down the bride price he offers, not with Mama sickly, and your only son still in diapers.” It would be a decade before Henry could truly contribute to the household, and the doubled bride price was far more than her own contributions were worth. She and Anna tried, but they had not the strength to do any of the things that would truly bring in money.

“Young Ralph has—”

“Ralph will offer you half what the Beast has. We’ve made him no promises. Take the better offer.”

“I am not so desperate for gold that I would—”

“I’ll not marry Ralph, Father. Accept the Beast’s offer, or I’ll go with him anyway, and bring shame on the family.”

She loved her family. She hated Ralph more.

“He has bewitched you. Mira, child. He’s a monster. He’s—”

“He’s bigger and stronger than us. And perhaps he has bewitched me; I don’t know if he has magic, but certainly he’s made of it. If he wants me he will have me, willing or no. Accept the bride price, and make it as right as you can.”

She walked past him to open the door. “If you will bring the bride price tomorrow, my father will send me with you then,” she told the Beast. “May I walk you out?”

She looped an arm through his—the angle was awkward, with his height—and led him back toward her hollow.

“I’ve no intention of forcing you,” he said, the clear anxiety in his voice at odds with his monstrous appearance.

“I know,” Mira said, mostly honest. “It was only to make my father agree.”

His voice was as kind as his face, and it could be a trap, but why bother to set one? He could have taken her easily enough without all this.

“You needn’t come with me,” he said. “You can have the bride price, and stay here—I’ve no need for the money.”

It was a very kind offer. She would never have thought to expect such kindness from a monster, never would have thought she could feel so irrationally safe with an enormous, alarming creature who by all rights ought not to exist.

She had to go with him. The money was not enough. No money would ever be enough. It would buy her time, but Ralph would persist.

“I will go with you,” she said, “if you will have me.”

“Of course.”

They had reached the hollow. She released his arm, and rolled her shoulder to calm the strain of the angle. “I’ll see you in the morning, then?”

“In the morning,” he agreed. He turned, and stepped through the trees, and was gone, as suddenly as he had appeared.

~

He couldn’t remember his name. He thought it was part of the curse, though he wasn’t quite sure. He hoped it was part of the curse. He hoped it was something that had been taken from him, rather than something he’d been careless enough to lose.

His memory wasn’t good. Like his body, it made him feel less like a man every day, farther and farther from whoever he used to be. But a name seemed the sort of thing he ought to have hung onto, even as the rest faded away.

He thought he used to be a man, with dark brown hair and a nose that wasn’t quite straight. He thought he used to have a little brother he carried on his shoulders, and a hunting hound who was quite terrible at hunting, and liked to sleep in his bed. He thought he attended balls, and hunts, and history lessons.

He knew he had a name.

Just not what it was.

He knew he used to be shorter, not because he remembered it, but because even now, he forgot to duck, and banged his antlers into things.

He knew something bad had happened, something other than becoming a monster, something worse. He didn’t know what, not because he couldn’t remember but because he refused to, because he spent long hours trying to recall the shape of his maybe-brother’s face, or any other details of his life before, but when the tiniest hints of the bad thing surfaced, he shoved them down, found a distraction, thought of anything else.

The memories came back, he thought, in nightmares, but he woke remembering only dread and sick fear, and not the details.

He knew because the look in Mira’s eyes when she spoke of marriage, when he offered an escape, felt so achingly familiar.

He hadn’t meant to invite a young woman to live with him. He hadn’t meant to be there at all. He’d been in that wild area behind the palace that used to be a garden, and then he had been in front of a crying girl.

The halls of the palace wound and changed without his say, but usually the grounds didn’t wander about without permission.

He decided to blame that on the curse, too.

Some days it felt like a living thing, writhing beneath his skin.

He’d made no attempts to break it. Not, at least, since his memory started going foggy.

The curse, he thought, was growing restless. It mustn’t be any fun, being a curse whose victim lies down and takes it.

If he didn’t try to break the curse, he couldn’t fail. If he didn’t fail, he would suffer only in the same old ways, no fresh entertainment for the one who cursed him.

(He thought it was a woman. He didn’t like thinking any harder about it than that.)

Also, the curse had made him larger and stronger and much more frightening, and that was not entirely a bad thing.

He had been boring. Content, even. So the curse had presented him an opportunity to be broken, since he refused to seek one out.

They needn’t fall in love, just because she was here. It seemed quite unlikely, really.

A woman was going to be living with him. He thought—he thought he used to wear clothes. Maybe he should do that again.

He didn’t look much like a man, and nothing showed through the fur. But still, if one was sharing a space with a young woman, and she was escaping an unwanted marriage, and her father seemed to think this was a marriage, then one ought to wear clothes.

He hoped he could find some. The curse might think it rather funny, forcing him into close proximity with a woman, nude.

Or, more likely, the palace might think it a waste of time to produce for him something so unnecessary.

He was going to be living with a woman.

She had touched him.

He thought of her little brown hand on his large brown arm. He tried to remember the last time another person touched him, and couldn’t.

(A silver white hand, cupping his cheek, his face changing beneath it, her smile like—)

He shook his head. He couldn’t.


Preorder your copy of To Be Loved today from waxheartpress.com!