Showing posts with label chanhassen dinner theatre. Show all posts
Showing posts with label chanhassen dinner theatre. Show all posts

Tuesday, December 12, 2023

Patreon Membership! Merch! Book! Etc!

 Okay, so! The winning pin design was this one:



And now to discuss what we're doing with the pins. As you may have noticed, I'm really trying to improve Patreon membership and engagement for 2024. This includes a lot of new rewards for various support tiers, as well as plans to, like, actually post things on Patreon regularly.


One of our new things is that everyone who is a member on the page by January 1, 2024 gets one of these pins. This means free members, paid members, members who signed up on January 1, and members who've been here for five years. Everyone gets a free pin. (Unless you're not comfortable giving out an address, in which case I guess you don't get a pin, because how would I send it to you? I guess you can have a copy of the file so you can make your own pin at home?)


Another new thing is that everyone who's a member by January 1 is entered in a drawing for a free, signed copy of either Shards of Glass or Lindworm, your choice, with a personalized message. All free members get one entry; all paid members at all tiers get two entries. I'm giving away 5 books. (To five different people—if your name is entered twice and gets drawn twice, you only get one book. I'll draw again.) If you don't want a copy, you can waive it, or you can take it and give it to a friend.


(It is worth noting that given the current member breakdown, there are 7 people total who are eligible for 1 of 5 books, and 50% of entries go to my family members. So if there seems to be a significant bias in the drawing results, well. That's just math. Become a member to improve the math!)


https://www.patreon.com/konglindorm

Wednesday, June 22, 2016

A Monster, a Child

I know I’ve already written extensively on this subject (on a related note, stay tuned for next week), but last week I went to see Disney’s Beauty and the Beast at the Chanhassen Dinner Theatre, and, well. Here we are again.

The thing about the live action musical, first of all, is that it drives me nuts. I hate it. There’s like three new songs. The Beast is illiterate. Like, what? I know the matter of his age at transformation time is shrouded in continuity errors, but the most reasonable choice is that he was eleven.  Who doesn’t teach an eleven year old to read? Especially a royal eleven year old? This is Beauty and the Beast, people, not The Whipping Boy.

So I was, while mostly enjoying the experience immensely, stuck through the entire first half on that one little detail. Why couldn’t he read? He was eleven. He was eleven.

He was eleven.

He was eleven, in a gigantic palace, and he was the only one around to answer the door. Where were his parents? Where are his parents now? Why didn’t they teach him to read? Why didn’t they teach him to be kind to strangers?

He was eleven, and he was horribly cursed for being rude. Has this fairy never heard of stranger danger? Of course he wasn’t going to let her in. Newsflash: kids are rude. They’re also sensible, at least the ones not named Snow White. (Seriously, kid? The first two creepy old ladies you invited in when you were home alone tried to kill you, but surely the third is a nice one. I mean, come on. Really?)

When a creepy looking old lady knocks on the door, an eleven year old boy, home alone, is probably not going to want her to stick around. And who could blame him? He’s a child.

So now, having long since come to the conclusion that the fairy is the bad guy in the original novel, I’m beginning to have serious doubts about her in Disney, too. Fairy raises little boy, fairy wants to marry little boy, little boy says no. Bam! Little boy is a monster now. Fairy approaches little boy, late at night, in a creepy disguise. Little boy does not react with kindness and maturity. Bam! Little boy is a monster now. I’m noticing a pattern, and it has nothing to do with him, and everything to do with her. (And with his mom, because seriously, lady? You leave your child with a pervy old fairy for years so you can fight a war. You try to prevent him from marrying the girl who saved him. You don't teach him to read. You are not around when he is terrified and newly monstrous. Get your act together. Your son needs you.)

Even in the versions where they try to make the Beast look like he deserved it, we’re still seeing him punished, if not for nothing at all, then at least in a manner that is nowhere near proportionate to his crimes. And the Beast is a victim. And the Beast is a child. Again, and again, and again.

Never trust the fairies.





P.S. The second half of the play was pretty much the most incredible thing ever, and the Beast was awkward and adorable and displayed traits consistent with someone who had been neglected and abused since childhood and was still very young, and long story short I kind of wanted to marry him, and also got glared at by lots of people when I couldn’t contain my squealing.